Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
1. Ave Maria, offertorio a 5 voci e strumenti
Gaetano Donizetti |
PART01713
full score |
1842 | |
2. Miserere, offertorio a più voci, cori e strum.
Gaetano Donizetti |
PART01714
full score |
1843 | |
3. Altra versione del “Libera me” del Miserere
Gaetano Donizetti |
PART01715
full score |
||
Adelia
Gaetano Donizetti |
PART01693
full score |
||
Adelia
Gaetano Donizetti |
PART01706
arrangement/reduction |
22/3/1841 | |
Amiamo, Canzonetta
Gaetano Donizetti |
PART01718
full score |
||
Anna Bolena
Gaetano Donizetti |
PART01707
full score |
1830 | |
Aurora, L', Nuits d'été à Pausilippe, notturno per picc.orch.
Gaetano Donizetti |
PART05125
full score |
1997 | |
Ave Maria, tradotta in lingua italiana dall' immortale Dante
Gaetano Donizetti |
PART01724
full score |