Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Gianni di Parigi
Gaetano Donizetti |
PART01695
full score |
1832 | |
Gioventù d'Enrico V, La
Saverio Mercadante |
PART02710
full score |
||
Giulietta e Romeo
Nicola Vaccaj |
PART04273
full score |
||
I, II, III fantaisie (su motivi dell’opera Parisina di Donizetti), op. 327 n. 1, 2, 3 per pf. Solo
Carl Czerny |
PART01134
full score |
||
I, II, III fantaisie brillante, (su motivi de L’elisir d’amore (di Donizetti) op. 325 n. 1, 2, 3 (per pf. a 2 mani)
Carl Czerny |
PART01128
full score |
||
Illinesi, Gli
Francesco Basili |
PART00200
full score |
||
Ipermestra
Saverio Mercadante |
PART02711
full score |
||
Ira d’Achille, L'
Giuseppe Nicolini |
PART02894
full score |
||
Ismalia
Saverio Mercadante |
PART02712
full score |