Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Matilde di Scozia
Giuseppe C. Winter |
PART04466
full score |
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Medea
Saverio Mercadante |
PART02727
full score |
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Medea in Corinto
Giovanni Simone Mayr |
PART02686
full score |
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Norma
Vincenzo Bellini |
PART05119
|
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Pirata, Il , Atto II
Vincenzo Bellini |
PART07250
full score |
||
Pitocco, Il
Giuseppe Gerli |
PART01975
full score |
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Posto abbandonato, Il
Saverio Mercadante |
PART02713
full score |
||
Rappresaglia, La
Joseph Hartmann Stuntz |
PART03936
full score |
1819 | |
Rosa bianca e la rosa rossa, La
Giovanni Simone Mayr |
PART07269
full score |