Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Pivetta pel Natale
Giulio Ricordi |
PART00507
full score |
6/10/1886 | |
Pourquoi?
Giulio Ricordi |
PART00508
full score |
21/11/1900 | |
Pourquoi rire?, Melodie pour chant et piano (s. o t.)
Giulio Ricordi |
PART00509
full score |
||
Pourquoi rire?
Giulio Ricordi |
PART00510
full score |
||
Presepio, Il , Piccolo Pezzo per Pianoforte
Giulio Ricordi |
PART00512
full score |
9/11/1906 | |
Rivista verdiana in tre parti secondo le tre maniere di G.Verdi, Composizione per banda
B. Casetti |
PART00776
full score |
5/4/1887 | |
Roman de Pierrot et de Pierrette: historiettes musicales, Le
Giulio Ricordi |
PART00514
full score |
4/11/1880 | |
Rosette, 1 Le père et l’enfant
Giulio Ricordi |
PART00516
full score |
8/5/1890 | |
Rosette
Giulio Ricordi |
PART00515
full score |
7/10/1888 |