Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Alla sera, (per c. e pf.)
Carlo Pedrotti |
PART03103
full score |
1865 | |
Canto popolare toscano , (c.e pf.) per le nozze Calza-Pedrotti
Carlo Pedrotti |
PART03109
full score |
8/8/1879 | |
Da: Fiorina , Coda nella canzone, atto II Part.
Carlo Pedrotti |
PART03112
full score |
||
Fiorina, o la fanciulla di Glaris
Carlo Pedrotti |
PART03095
full score |
20/10/1851 | |
Fugacità della vita, per voce di t. (e pf.)
Carlo Pedrotti |
PART03105
full score |
||
Guerra in quattro
Carlo Pedrotti |
PART03099
full score |
||
Isabella d’Aragona
Carlo Pedrotti , Giovanni Battista Pionzo |
PART03093
full score |
1858 | |
Mattinata, (per c. e pf.)
Carlo Pedrotti |
PART03106
full score |
||
Messa a Rossini
Autori Diversi , Antonio Buzzolla , Antonio Bazzini , Carlo Pedrotti , Antonio Cagnoni , Alessandro Nini , Raimondo Boucheron , Carlo Coccia , Pietro Platania |
PART00155
full score |
1869 |