Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
3 Studi d'interpretazione, per orch.d'archi (nuova versione)
Bruno Bettinelli |
PART04701
full score |
1/1990 | |
6 Brevi canti, per flauto in do
Armando Gentilucci |
PART05392
full score |
9/1980 | |
Ai confini dell'aurora, (corale figurato) per trombone e pf.
Armando Gentilucci |
PART05387
full score |
1985 | |
Al telaio del tempo, per clarinetto in Sib
Armando Gentilucci |
PART05388
full score |
9/1983 | |
Aria d'improvviso vibrante, L', per 3 trombe e timpani
Armando Gentilucci |
PART05389
full score |
9/1988 | |
Attraverso il suono, per ob,cl.in La e fagotto
Armando Gentilucci |
PART05390
full score |
6/1979 | |
Azzurri abissi, per clarinetto e orchestra
Armando Gentilucci |
PART05391
full score |
2/1986 | |
Canto notturno, per voce di soprano e orchestra da camera
Armando Gentilucci |
PART05393
full score |
8/1983 | |
Chiarore dell'utopia, Il, per soprano e orchestra
Armando Gentilucci |
PART05394
full score |
1/1985 |