Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Cile 1973
Armando Gentilucci |
PART05395
full score |
8/10/1973 | |
Clessidre di Durer, Le
Armando Gentilucci |
PART05396
full score |
9/1985 | |
Coinvolgimento, per 2 violini, viola e 19 strumenti
Armando Gentilucci |
PART05397
full score |
7/1974 | |
Come qualcosa palpita nel fondo…, per violino e nastro magnetico
Armando Gentilucci |
PART01965
other |
1973 | |
Crescendo
Armando Gentilucci |
PART05398
full score |
6/1971 | |
Dal fondo di uno specchio, per 18 esecutori
Armando Gentilucci |
PART05399
full score |
8/1984 | |
Dal suono al suono
Armando Gentilucci |
PART01966
full score |
1/1977 | |
Diacronie, per violino solista e 9 archi
Armando Gentilucci |
PART05400
full score |
2/1970 | |
Diario II
Armando Gentilucci |
PART05401
full score |
1/1971 |