Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Belfagor , Ouverture per orchestra
Ottorino Respighi |
PART03490
full score |
3/1924 | |
Belkis, regina di Saba
Ottorino Respighi |
PART03507
arrangement/reduction |
||
Belkis, regina di Saba , Azione mimo-coreografica
Ottorino Respighi |
PART03491
full score |
20/10/1931 | |
Bella dormente nel bosco, La, Fiaba musicale in tre atti
Ottorino Respighi |
PART03501
arrangement/reduction |
||
Bella dormente nel bosco, La
Ottorino Respighi |
PART06914
arrangement/reduction |
||
Bella dormente nel bosco, La
Ottorino Respighi |
PART03500
full score |
||
Cinque liriche
Ottorino Respighi |
PART03497
full score |
||
Concerto a cinque
Ottorino Respighi |
PART03511
full score |
1933 | |
Deità silvane , Cinque liriche di Antonio Rubino per soprano e orchestra da camera
Ottorino Respighi |
PART03492
full score |
11/1925 |