Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Invenzioni - Part., Concerto per vc., archi, timpani e piatti (Rev. violoncellistica a cura di G. De Napoli)
Giorgio Federico Ghedini |
PART02001
full score |
1940 | |
Lucertolina
Mario Castelnuovo-Tedesco |
PART00784
full score |
31/1/1916 | |
Magnificat, per soprano leggero, coro e orchestra
Goffredo Petrassi |
PART03186
full score |
11/1940 | |
Magnificat
Goffredo Petrassi |
PART03182
arrangement/reduction |
11/1940 | |
Notte di Maggio, canto per una voce ed orch.
Alfredo Casella |
PART00768
arrangement/reduction |
2/8/1913 | |
Notturno e Tarantella, per vl,pf
Alfredo Casella |
PART00770
parts |
||
Notturno e Tarantella, per violoncello e orchestra
Alfredo Casella |
PART00760
full score |
29/9/1934 | |
Quattro favole romanesche di Trilussa
Alfredo Casella |
PART00773
full score |
28/6/1923 | |
Siciliana e Burlesca
Alfredo Casella |
PART00761
full score |
1914 |