Centro Studi Belliniani | Collezione Digitale

Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.

Description	ID	Date
Dove non sono confini, per violoncello solo Armando Gentilucci	PART05402 full score	2/1985
Due arie cameristiche e coro, dall'opera Moby Dick Armando Gentilucci	PART05403
Echi del suono, per pianoforte a quattro mani Armando Gentilucci	PART05404 full score	2/1985
Fibre di una tela all'orizzonte, Le, per contrabbasso Armando Gentilucci	PART05406 full score	6/1985
Figure , per 32 esecutori Armando Gentilucci	PART01971 full score	10/1967
Frammenti di un diario d'autunno Armando Gentilucci	PART05407 full score	1983
Gesti e risonanze Armando Gentilucci	PART04580 full score	4/1980
Haleine, per 2 trombe,2 tromboni e tuba bassa Armando Gentilucci	PART05409 full score	11/1980
In acque solitarie, una glossa a margine di Moby Dick Armando Gentilucci	PART05411 full score	1986