Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Caterina di Clèves
Francesco Chiaromonte |
PART00958
full score |
13/3/1850 | |
Caterina di Clèves
Luigi Savi |
PART03771
full score |
||
Caterina di Guisa
Carlo Coccia |
PART01002
full score |
1832 | |
Caterina di Guisa (rinnovata)
Carlo Coccia |
PART01003
full score |
1836 | |
Chiara e Serafina (o Il pirata)
Gaetano Donizetti |
PART01698
full score |
||
Chi fa così fa bene
Feliciano Strepponi |
PART03935
full score |
||
Conte di Essex, Il
Saverio Mercadante |
PART02714
full score |
||
Contrabbandiere, Il
Cesare Pugni |
PART03435
full score |
||
Contrabbandiere, Il
Natale Perelli |
PART03116
full score |