Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Duo pour pf. et vc. , sur des motifs de l’opéra “Norma” de Bellini... dédié à M.lle Catherine Watts.
Carl Otto Ehrenfried Nicolai |
PART02888
parts |
||
Duo pour pf. et vl. , sur des motifs de l’opéra “Norma” de Bellini... dédié à... Eugène Cavallini
Carl Otto Ehrenfried Nicolai |
PART02887
|
||
Emma d’Antiochia
Saverio Mercadante |
PART02717
|
||
Figlia dell’arciere, La
Carlo Coccia |
PART01006
full score |
1833 | |
Finto Stanislao, Il
Giuseppe Verdi |
PART00030
full score |
1840 | |
Gianni di Parigi
Francesco Morlacchi |
PART02802
full score |
12/3/1818 | |
Gioventù d'Enrico V, La
Saverio Mercadante |
PART02710
full score |
||
Giulietta e Romeo
Nicola Vaccaj |
PART04273
full score |
||
I, II, III fantaisie (su motivi dell’opera Parisina di Donizetti), op. 327 n. 1, 2, 3 per pf. Solo
Carl Czerny |
PART01134
full score |