Almost 8.000 scores from the mid-1700s to the end of the 20th century — not just opera, but also chamber music and symphonic music. The oldest are Il Ciro riconosciuto by Niccolò Jommelli of 1744 and 24 Capricci by Niccolò Paganini; among the most recent are scores by Luigi Nono (e. g. his major work of musical theater Prometeo, 1984) and Franco Donatoni (e. g. his arrangement of Bach’s Kunst der Fuge for orchestra, 1992). There are also a large number of “romances” that are still performed in Italy today, by Francesco Paolo Tosti and others, arrangements, and a range of works for musical education.
Score | Description | ID | Date |
---|---|---|---|
Bella celeste degli spadari, La
Pietro Antonio Coppola |
PART01027
full score |
1837 | |
Cantata in morte di M.F. Malibran
Autori Diversi , Gaetano Donizetti , Giovanni Pacini , Saverio Mercadante , Pietro Antonio Coppola , Nicola Vaccaj |
PART00154
full score |
1837 | |
Festa della rosa, La
Pietro Antonio Coppola |
PART01028
full score |
1836 | |
Giovanna I, (I vers.)
Pietro Antonio Coppola |
PART01025
full score |
1841 | |
Giovanna I , (II vers.)
Pietro Antonio Coppola |
PART01024
full score |
1842 | |
Nina pazza per amore , (col tit. La Nina)
Pietro Antonio Coppola |
PART01026
|
||
Orfana guelfa, L'
Pietro Antonio Coppola |
PART01029
full score |
23/3/1846 | |
Postiglione di Longjumeau, Il
Pietro Antonio Coppola |
PART01030
full score |